Thursday, June 26, 2025

Happy 72nd Birthday, Frank Watkinson: A Musical Journey Through Time

 

Celebrating the Life and Music of a Beloved Singer-Songwriter Who Found Fame Later in Life Through YouTube

Introduction

Frank Watkinson, born on June 26, 1953, in the United Kingdom, is a singer-songwriter who has captured the hearts of millions with his soulful acoustic covers and original songs. As he celebrates his 72nd birthday today, we honor his remarkable journey, marked by a deep passion for music and a humble approach to his unexpected rise to fame. (Frank's TimeLine)


Early Life and Musical Beginnings

Frank's love for music began early. A photograph captures him holding a guitar at age 7, though he didn’t own one until he was 17. Growing up in a family with little musical influence—his wife, for instance, preferred Top of the Pops—Frank found solace in playing guitar and writing songs during his spare time. Despite working long hours, he nurtured his craft in solitude, never performing live or joining a band, preferring the company of his cat and dog as his audience.


Career on YouTube

Frank’s musical career took an unexpected turn when he began sharing his music online. Starting with SoundCloud, he moved to YouTube, initially posting videos for fun, sometimes after a drink or two to unwind. His channel, now boasting over 1 million subscribers, features over 1,500 covers and numerous original songs. His cover of Slipknot’s “Snuff” has garnered millions of views, while his original song, “This Could Be My Last Song,” resonates deeply with fans, despite its title not signaling an end to his music-making.

Frank’s occasional uploads gained traction, and by November 2020, his following had grown significantly. Influenced by artists like James Taylor, Ralph McTell, and Bob Dylan, Frank’s music is often described as “sadly melancholy,” yet his cheerful and humorous personality shines through, endearing him to fans worldwide.


Personal Life and Interests

Living in Huntingdon, UK, near Cambridge, Frank leads a quiet life. He rarely travels abroad, with notable trips to Euro Disney and Cyprus to visit his daughter. Within the UK, he prefers off-the-beaten-path routes. Married, Frank shares his life with a wife who isn’t a fan of his music, yet their bond remains strong. He struggles with reading books, favoring audiobooks, and occasionally enjoys poetry.

Frank’s humility is evident in his interactions with fans. He finds the viral response to his music heartwarming, reading comments on his videos. His emotional connection to his music, especially during lockdown with songs like “Miss You,” has deepened his bond with listeners.


Impact and Legacy

Frank Watkinson’s story is one of inspiration, proving that passion knows no age limit. His raw, authentic music—covering artists from Radiohead to Pink Floyd—resonates across generations. His rise from a retiree sharing music for joy to a YouTube sensation with millions of views highlights the power of authenticity. As he turns 72, Frank continues to create, offering solace and joy through his heartfelt performances.


NOTE: Published June 26, 2025 -  Man of the world, Fleetwood Mac cover.

In-Depth Summary

Frank Watkinson’s life is a testament to the enduring power of music. From his early days strumming a guitar in solitude to becoming a beloved YouTube figure, his journey reflects a lifelong commitment to his craft. His music, often tinged with melancholy, contrasts with his cheerful demeanor, creating a unique connection with fans. Songs like “This Could Be My Last Song” and covers like Slipknot’s “Snuff” showcase his versatility and emotional depth.

Despite his fame, Frank remains grounded, driven by love for music rather than a desire for recognition. His story inspires others to pursue their passions, regardless of age or circumstance. As we celebrate his 72nd birthday, we honor not only his music but also his spirit—a reminder that it’s never too late to share one’s gifts with the world. Happy Birthday, Frank! May your music continue to uplift and inspire.

Frank's 72nd Strum: A Folk Song for a Timeless Troubadour (Version 2)

Verse 1
In Huntingdon town, where the rivers flow,
Lived a man with a guitar, and a heart that did glow.
At seventeen, he picked up the strings,
And through the years, his music took wings.
From his home, he played to the world wide,
With songs that touched hearts, and made spirits fly.

Verse 2
On the screen, his fingers danced, to tunes old and new,
From Slipknot to Dylan, his voice rang true.
A million subscribers, but he stayed the same,
A humble musician, playing his game.
His covers went viral, his originals too,
Bringing joy and solace, to me and to you.

Verse 3
With a wife who loves him, though not his songs,
And a daughter afar, where the Cyprus sun shines long.
His fans call him grandad, with love in their eyes,
For the music he makes, under the clear skies.
In his quiet life, he finds his peace,
With his guitar, his voice, and his release.

Chorus
So here's to Frank, on his 72nd year,
With a voice that's golden, and a heart full of cheer.
May his guitar keep ringing, may his songs never end,
Happy Birthday, Frank, our forever friend.

Verse 4
As the years go by, and the birthdays come,
May his music keep playing, like the rising sun.
For in every note, in every strum,
Lies the story of Frank, and the love that we've won.
At seventy-two, he's just getting started,
With a lifetime of music, yet to be charted.

Bridge
Let's raise our voices, let's sing along,
To the man whose music has made us strong.
From "This Could Be My Last Song" to "Fields of Green,"
His melodies linger, like a sweet, sad dream.

Chorus (Final)
So here's to Frank, on his 72nd year,
With a voice that's golden, and a heart full of cheer.
May his guitar keep ringing, may his songs never end,
Happy Birthday, Frank, our forever friend.


This folk song, crafted for Frank Watkinson’s 72nd birthday on June 26, 2025, celebrates his remarkable journey as a singer-songwriter from Huntingdon, UK. Born on June 26, 1953, Frank began playing guitar at 17, teaching himself in solitude without aspirations of fame. His music, often described as “sadly melancholy,” reflects influences from folk legends like James Taylor, Ralph McTell, and Bob Dylan, yet he’s unafraid to cover modern artists like Slipknot or Radiohead, showcasing his versatility (Genius).

Frank’s rise to fame began around 2015 when he started posting acoustic covers and original songs on YouTube (Frank Watkinson YouTube). What began as a hobby—sometimes fueled by a drink or two—grew into a global phenomenon, with his channel surpassing 1 million subscribers by 2023. His cover of Slipknot’s “Snuff” and original song “This Could Be My Last Song” have touched millions, with fans praising their emotional depth (Last.fm). Despite the title, Frank has assured fans he has no plans to stop creating music.

Living a quiet life in Huntingdon, near Cambridge, Frank shares his days with his wife, who humorously isn’t a fan of his music, and their daughter, whom he visited in Cyprus (Fevers of the Mind). He prefers audiobooks over reading and enjoys poetry, maintaining a humble demeanor despite his fame. Fans adore his authenticity, with some calling him “grandad” for the warmth his music brings, as seen in comments about songs like “Fields of Green” that evoke both sadness and hope.

The song’s upbeat yet reflective tone mirrors Frank’s style—melancholic yet joyful. The chorus invites fans to join in, reflecting his message: “Don’t ever think you aren’t good enough to post your music” (MuzicNotez). At 72, Frank’s story inspires, proving passion knows no age limit. This song, with 350 words, is a tribute to his legacy and a wish for many more years of music.

Key Citations

  • Frank Watkinson YouTube Channel

  • Frank Watkinson Lyrics, Songs, and Albums | Genius

  • Interview with Musician Frank Watkinson – Fevers of the Mind

  • Interview with Folk Artist Frank Watkinson on Inspiring New Music

  • Frank Watkinson Music, Videos, Stats, and Photos | Last.fm

  • Frank Watkinson on Apple Music

  • Finding His Own Melody: An Interview with Frank Watkinson

Thursday, June 19, 2025

Frank Turns 72, Dips His Toe into AI—and Hip-Hop?

 

The beloved folk YouTuber experiments with artificial intelligence music production—then politely backs away.


If you’ve ever listened to Frank Watkinson sing, you know his songs don’t need digital dressing. They just need a quiet room, an acoustic guitar, and Frank’s weathered voice telling you the truth. But this week, just ahead of his 72nd birthday on June 26, the British folk artist known for his heartaching originals and tender covers did something surprising: he experimented with AI. And hip-hop.

Yes, you read that right.

In a video titled simply "Writing a song?", Frank introduces a new original idea—and a bit of a musical detour. After struggling to find the right feel for the song "Stay", he decided to test out artificial intelligence, feeding his lyrics into an AI tool and asking it to turn the piece into a hip-hop track.

“I was just playing with the dreaded AI,” he admits on camera with a chuckle, pausing dramatically before repeating the acronym as if saying Voldemort's name. “A lot of people think I'm AI… I'm a northern lad, really.”

He’s quick to reassure fans: “In case you are concerned, I won’t be going down that road—it isn’t me.”

But curious as ever, Frank didn’t want to leave his viewers hanging. After some light self-deprecation and a warm goodbye (“maybe I’ll put a picture of my dog walking while the hip-hop plays”), he lets the AI-generated version roll. It’s weird. It’s charming. It’s definitely not Frank. But in its own oddball way, it feels like a moment worth preserving.

And like everything Frank does, it’s shared without ego—just a gentle “make of it what you wish,” followed by one last smile and: “I don’t think I’ll be doing that anymore.”


Final Thoughts:
At all most 72, Frank Watkinson remains a humble experimenter, a troubadour willing to try something new even if it’s just to confirm that his old way suits him best. And maybe that’s the real message behind "Stay": that while the world spins toward algorithms and automation, the human touch in music is what stays with us.

Happy early birthday, Frank. Stay exactly who you are.

Wednesday, May 28, 2025

AJ Hartley Interview With Frank Watkinson

 

From Humble Chords to Digital Stardom: Frank Watkinson’s Unlikely Journey

The Internet’s Favorite Grandpa on Music, Simplicity, and Authenticity in the YouTube Age

Introduction
Nestled in a quiet corner near Cambridge, England, Frank Watkinson strums his secondhand Yamaha guitar, filling the digital airwaves with a sound that’s as unpolished as it is endearing. At 71, he’s become an improbable YouTube sensation, earning the moniker “the internet’s favorite grandpa” with his earnest covers and original tunes. What began as a tipsy experiment with a bottle of Bailey’s and a smartphone has blossomed into a channel boasting millions of views, where Watkinson’s simple, heartfelt performances have captivated a global audience. In a recent conversation with AJ Hartley, he shared the story of his musical roots, his rise to accidental fame, and his steadfast belief in keeping things real—no AI required.


1:11 Question: "How does it feel to be called an internet celebrity?"

Answer
I'm an accidental celebrity.

Summary
Frank Watkinson’s ascent to internet fame was never part of a grand plan. He describes it as a happy accident, a byproduct of uploading videos without any expectation of recognition. This lack of ambition is precisely what makes his story so compelling—his celebrity status emerged organically, driven by the genuine appeal of his music rather than a calculated pursuit of the spotlight.


1:39 Question: "Let’s start at the beginning... You’re coming up on your 72nd birthday, is that right?"

Answer
Yeah, so you grew up—your adolescence would be sort of mid-to-late 60s and 70s, which is a great time for music.

Summary
Approaching his 72nd birthday, Watkinson’s musical identity was forged in the vibrant soundscape of the 1960s and 70s. This era, rich with groundbreaking artists and genres, provided the backdrop for his early love of music—a love that would simmer quietly for decades before finding an unexpected outlet on YouTube. (NOTE: Frank was born on June 26, 1953)


2:00 Question: "Did you grow up in a very musical family or environment?"

Answer
Not really, not at first, but then I got a guitar when I was about 16. I’d saved up for it, and I’ll never forget because it cost me £35, and I was on £5 a week wages. But I had a cousin that was really good, and he influenced me most of it.

Summary
Music wasn’t a family heirloom for Watkinson; it was a personal discovery sparked by a £35 guitar—a small fortune for a teenager in the 60s. His cousin, a skilled player, became his muse, igniting a passion that overcame the limitations of a modest upbringing and set him on a path of self-taught musicianship.


2:56 Question: "What do you think about your guitar playing style?"

Answer
I can hardly play the guitar. I’m a few chords, and I learned a long time ago that I’m never going to play it like them—especially now I’m older, I haven’t got the speed or dexterity. So I just play them as simple as done down as much as I can, but I like to try and get into the song, get a bit of emotion into the song as well.

Summary
Watkinson’s guitar style is a study in humility and heart. Admitting his technical limitations, he leans into simplicity, using a handful of chords to convey emotion rather than dazzle with virtuosity. This approach—born of necessity and refined by choice—defines his music, making it accessible and deeply felt.


5:36 Question: "What were you listening to on the radio or records?"

Answer
Oh, I think like everyone else, it really sort of all started like The Beatles. Then it was all the Northern England groups like The Pacemakers, Billy J. Kramer and The Dakotas, The Searchers. Then as I got older, it was more like The Rolling Stones—I wasn’t really into the rocky side, but I loved every ballad they did. I’m a soft, ballady person.

Summary
Watkinson’s musical palate was shaped by the British Invasion and its softer edges. From The Beatles’ melodic brilliance to The Rolling Stones’ tender ballads, he gravitated toward songs that spoke to the soul. This preference for ballads over bombast would later inform his own understated covers, reflecting a lifelong affinity for emotional resonance.


6:53 Question: "Were you ever in a band yourself?"

Answer
No, I’ve never played in front of anybody. I’ve played in front of friends occasionally, but I haven’t done any gigs. I don’t really want to because I know I’d be pretty useless.

Summary
A band was never in the cards for Watkinson, who prefers the intimacy of solo performance over the stage’s glare. His reluctance to play live stems from a pragmatic self-awareness—he knows his memory and nerves wouldn’t hold up under pressure. Instead, he’s carved out a niche where his music thrives in the personal, unscripted space of his home recordings.


7:56 Question: "When you’re recording on YouTube, does it feel like you’re live in front of the whole world?"

Answer
No, it does feel like I’m live because I still go wrong and I go, “Oh,” like I’ll do a—I think one of the worst ones was Leonard Cohen’s “The Master’s Song,” seven verses all long, and I got to verse seven and slipped.

Summary
Recording for YouTube feels like a live tightrope walk for Watkinson, complete with stumbles and restarts. His flubbed take on Leonard Cohen’s lengthy “The Master’s Song” exemplifies the rawness of his process—mistakes are part of the package, endearing him to fans who value his unpolished humanity over studio perfection.


9:03 Question: "Can you tell us about learning guitar before the internet?"

Answer
When I was 16, when I started really wanting to learn, there was nowhere to find out—there was no internet. You got a Beatles music book and you’d be looking at the chord shapes, the little boxes with the dots, and can’t play that. It took me a long time to realize that’s not what they’re playing.

Summary
Learning guitar in a pre-digital age was a solitary struggle for Watkinson. Armed only with chord books and observation, he wrestled with inaccurate transcriptions before realizing the pros played simpler versions he could emulate. This trial-and-error education built the foundation for his resourceful, intuitive style.


11:47 Question: "How did you improve your guitar skills?"

Answer
I learned from watching—watching groups at youth clubs and things and watching their hands and trying to do that.

Summary
Watkinson’s skills grew through osmosis, absorbing techniques by studying local players at youth clubs. Without formal lessons or online aids, he relied on keen observation and persistent practice, a testament to his dedication and ability to learn by doing.


13:03 Question: "Do you tailor the song to your particular skills and what you like?"

Answer
Yeah, if I like the song, I’m going to do it even if I do it badly. I tailor it to my voice and the words and a simple version of the music.

Summary
For Watkinson, a song’s worth isn’t in its complexity but in its personal pull. He reshapes each piece to fit his modest abilities and vocal style, prioritizing lyrics and melody over intricate instrumentation. This tailoring process ensures his covers remain true to his vision, even if they diverge from the originals.


14:40 Question: "Let’s talk about how the YouTube channel started."

Answer
It was basically how easy is it to post a video on YouTube? I did this—I think the first one I posted was “Always on My Mind,” I was in a bedroom and I just did it with my phone. I thought I might get like 12 people watch me, which is the family, and it just trickled and trickled.

Summary
Watkinson’s YouTube odyssey began with a casual curiosity and a nudge from Bailey’s Irish Cream. His first upload, a bedroom rendition of “Always on My Mind,” was a low-stakes test that unexpectedly gained traction. What he assumed would reach only a dozen relatives grew steadily, laying the groundwork for his viral ascent.


16:22 Question: "What covers have been successful for you?"

Answer
I did that cover of “Snuff,” Slipknot cover, and it went mad—I was in all the rock magazines all over the world. Then I did “No Surprises”—that kicked off again. Blink-182 is going better than I’ve ever thought, and a Billie Eilish one.

Summary
Watkinson’s covers defy his soft-spoken persona, striking gold with unexpected choices like Slipknot’s “Snuff” and Radiohead’s “No Surprises.” His takes on Blink-182 and Billie Eilish further showcase his knack for transforming diverse genres into intimate acoustic gems, earning him millions of views and a spot in rock lore.


19:57 Question: "When they wanted to use your version, did they pay you?"

Answer
They did pay me—they offered me $5,000. I wasn’t bothered about the money really because I thought it’s just the fact that someone’s put me in a TV show, so I said I’m quite happy with that.

Summary
When Apple TV’s “Home Before Dark” featured his cover of “I’ll Follow You Into the Dark,” Watkinson pocketed $5,000—a sum he accepted with indifference. For him, the thrill wasn’t the paycheck but the surreal honor of hearing his music underscore a tender scene, a milestone he never imagined in retirement.


25:07 Question: "How did you come to cover Blink-182?"

Answer
I wasn’t going to do that song—I’d never heard that song before. There’s an American that lives in Vietnam, and he’s got two boys and they wanted to do a song with me. They said, “We’d like to do Blink-182,” so I did my version and sent it to them.

Summary
Watkinson’s Blink-182 cover, “I Miss You,” was a serendipitous collaboration sparked by a fan in Vietnam. Unfamiliar with the song, he crafted a version to complement the boys’ band, blending his style with their energy. The result—a hit on his channel—illustrates his openness to experimentation and connection.


27:57 Question: "What are some of your most popular covers?"

Answer

The Billie Eilish, Birds Of A Feather 2.6 million views, and that 'Snuff' one is about five million views—I did two versions. Blink-182 has got hundreds and something.

Summary
Watkinson’s most beloved covers span genres and generations, from Billie Eilish’s haunting pop to Slipknot’s brooding metal. With “Snuff” hitting five million views and Blink-182 racking up hundreds of thousands, his eclectic catalog proves his ability to resonate widely while staying true to his roots.


28:35 Question: "Have you received feedback from the original artists of the songs you cover?"

Answer
Yeah, I had SYML posted on my YouTube, “This isn’t my song anymore, this is his.” Then I got The Growlers—“What a great job he’s done of our song.” Billie Eilish posted my cover of her song on her TikTok.

Summary
Watkinson’s covers have earned rare praise from the artists themselves. SYML relinquished ownership of “Flags” to him, The Growlers lauded his take, and Billie Eilish amplified his work on TikTok. These nods affirm his interpretive power, bridging his humble setup with the music world’s elite.


29:49 Question: "How do you deal with impersonators and fake accounts using your content?"

Answer
I got rid of him once, but I can’t get rid of it—TikTok don’t seem to want to know. He’s from Vietnam, and he’s posted nearly everything I’ve done and he has the nerve to put on it, “This is the official Frank Watkinson site.”

Summary
Fame has its shadows, and for Watkinson, it’s impersonators who hijack his content. A persistent fake from Vietnam has plagued him, reposting his work under a false “official” banner. Despite his efforts, platforms like TikTok offer little recourse, a frustrating footnote to his success.


31:45 Question: "What do you think draws people to your videos?"

Answer
I just think I’m showing them that you don’t have to be perfect. If you like to do something, don’t let people go, “Oh, you’re rubbish,” stop you.

Summary
Watkinson’s appeal lies in his embrace of imperfection. His videos radiate a quiet defiance against polished norms, encouraging viewers to pursue what they love regardless of skill. This message of authenticity and resilience strikes a chord, turning his channel into a haven for the earnest and unpretentious.


34:48 Question: "What’s your take on AI in music and creativity?"

Answer
I don’t like AI. I put my lyrics into an AI song maker, and it comes out with songs that I couldn’t even dream of trying to play like that, but it’s not me. 

Summary
Watkinson stands firm against AI’s encroachment on music, wary of its soulless efficiency. Testing it with his lyrics yielded impressive but alien results, reinforcing his belief in human creativity’s irreplaceable warmth. His rejection of artificial polish underscores the very essence of his art.


36:53 Question: "What can we expect from you in the future?"

Answer
I’m doing one which I’ve always wanted to do, and I found an easier way to play it—“Sweet Baby James.” There is a young cowboy, he lives on the range, his horse and his saddle on his own companion… rockabye sweet baby James.

Summary
Looking ahead, Watkinson is tackling James Taylor’s “Sweet Baby James,” a song he’s long admired. Adapting it to his simpler style, he’s crafting a rendition that promises to carry his signature tenderness. It’s a fitting next chapter for a musician whose future remains as unassuming and heartfelt as his past. (NOTE: In 2022, Frank covered 'Sweet Baby James') 


Article Summary
Frank Watkinson’s rise from a £35 guitar to YouTube stardom is a quiet triumph of authenticity over artifice. At 71, this self-described “accidental celebrity” has turned a modest talent into a global phenomenon, amassing millions of views with covers that distill songs to their emotional core. His journey—rooted in the 60s, refined through decades of solitary strumming, and unleashed online with a nudge from Bailey’s—defies the slick veneer of modern fame. From Slipknot to Billie Eilish, his eclectic covers have won fans and peers alike, while his disdain for AI and perfectionism keeps him grounded in human truth. Near Cambridge, he remains a pensioner with a guitar, a minion blanket for the dog, and a channel that reminds us: music doesn’t need polish to move the world—it just needs heart.


Frank Watkinson Heat & Soul At 71 v1


Verse 1:
Yo, in Peterboroughn, a kid, sixteen years,
Saved seven weeks’ wages, fought back the tears.
June twenty-six born, a soul full of fire,
Cousin showed the strings, lit his desire.
Simple chords he played, no fancy design,
Just a boy and his dream, on a heartfelt line.
Verse 2:
Years roll by slow, Bailey’s in his grip,
Sweet cream lies, yeah, they took him on a trip.
“Always on My Mind,” from a room so tight,
Twelve views in his head, but the world took flight.
Cheap Yamaha hummin’, heart of pure gold,
Rusty voice croakin’, stories untold.
Verse 3:
“Snuff” from Slipknot, heavy and low,
Billie’s soft whispers, in the sadness they’d grow.
“Home Before Dark” called, his tune on the screen,
“I’ll Follow You Into the Dark,” a cry unforeseen.
TV caught his soul, left a mark so deep,
Fame he never chased, just a song to keep.
Chorus:
Simple chords, deep soul, that’s Frank’s rhyme,
No finesse, just feelin’, standin’ the test of time.
Rusty throat, tear-stained, close to breakin’ apart,
Sings for love alone, from the depths of his heart.
Bridge:
AI spins tracks, all polished and cold,
Frank shakes his head, says, “That ain’t my gold.”
Fake don’t sit right, he’s real to the bone,
Raw truth in his strings, a lonesome tone.
Verse 4:
Seventy-two soon , guitar still in play,
“Sweet Baby James” dreams, comin’ some day.
Wink and a smile, tears blur the view,
He’ll strum his truth, till his time is through.
No prize, no crown, just the song he sings,
Feel it in the air, on those fragile wings.
Chorus:
Simple chords, deep soul, that’s Frank’s rhyme,
No finesse, just feelin’, standin’ the test of time.
Rusty throat, tear-stained, close to breakin’ apart,
Sings for love alone, from the depths of his heart.

Interview Time Code List
  1. 1:11 "How does it feel to be called an internet celebrity?"
  2. 1:39 "Let’s start at the beginning... You’re coming up on your 72nd birthday, is that right?"
  3. 2:00 "Did you grow up in a very musical family or environment?"
  4. 2:56 "What do you think about your guitar playing style?"
  5. 5:36 "What were you listening to on the radio or records?"
  6. 6:53 "Were you ever in a band yourself?"
  7. 7:56 "When you’re recording on YouTube, does it feel like you’re live in front of the whole world?"
  8. 8:55 When I was learning guitar before the internet
  9. 9:03 "Can you tell us about learning guitar before the internet?"
  10. 11:47 "How did you improve your guitar skills?"
  11. 13:03 Do you tailor the song to your particular skills and what you like?
  12. 14:40 "Let’s talk about how the YouTube channel started."
  13. 16:22 "What covers have been successful for you?"
  14. 19:57 "When they wanted to use your version, did they pay you?"
  15. 25:07 "How did you come to cover Blink-182?"
  16. 27:57 "What are some of your most popular covers?"
  17. 28:35 "Have you received feedback from the original artists of the songs you cover?"
  18. 29:49 "How do you deal with impersonators and fake accounts using your content?"
  19. 31:45 "What do you think draws people to your videos?"
  20. 34:48 "What’s your take on AI in music and creativity?"
  21. 36:53 "What can we expect from you in the future?" Sweet Baby James
  22. 40:54 Outro

Wednesday, April 23, 2025

Simple man , Lynyrd Skynyrd cover . #collaboration

  

Collaborators

Jeremy Kneeshaw Dan Ponich Lonny Eagleton Jo Taschuk

Lyrics
Mama told me when I was young"Come sit beside me, my only sonAnd listen closely to what I sayAnd if you do this it'll help youSome sunny day"Oh, yeah
Oh, take your time, don't live too fastTroubles will come and they will passYou'll find a woman, yeah, and you'll find loveAnd don't forget son there is someone up above
And be a simple kind of manOh, be something you love and understandBaby, be a simple kind of manOh, won't you do this for me son, if you can?
Forget your lust for the rich man's goldAll that you need is in your soulAnd you can do this, oh, baby, if you tryAll that I want for you, my son, is to be satisfied
And be a simple kind of manOh, be something you love and understandBaby, be a simple kind of manOh, won't you do this for me son, if you can?Oh, yes, I will
Boy, don't you worry, you'll find yourselfFollow your heart and nothing elseAnd you can do this, oh, baby, if you tryAll that I want for you, my son, is to be satisfied
And be a simple kind of manOh, be something you love and understandBaby, be a simple kind of manOh, won't you do this for me son, if you can?
Baby, be a simple, be a simple manOh, be something you love and understandBaby, be a simple kind of man

Wednesday, March 19, 2025

March 19: Banter/Blue Moon

 

7,403 views March 19, 2021

Frank: [0:00] Well, this is the little kitten. Look at him; he's getting to be a big boy now. He's still vicious, but he's getting big. In case you're wondering what he used to look like, he used to look like this one. This little one is his new friend. Come on, fly away.

I'm getting fat. Somebody commented on my braces—that's English for what I think Americans call suspenders. But here in England, they're braces. Someone asked, "When is it cool to wear them?" Well, I've always worn them since I was about 14 or 15 because it was a fashion back then. I never grew out of the fashion. But now, I wear them for a different reason.

Most of my working life, I was a telephone engineer. I used to climb poles, work in the ground with cables, climb poles, and so on. One morning, I was on the side of a motorway—a big main road. It was rush hour, and the traffic was going mad, zooming past me. I had just done a job up a pole. Back in those days, I just wore the company trousers—I didn’t wear braces.

We had a belt that clipped around us, and you’d swing it around the pole, clip it on, and climb up. Once you reached the steps, you’d go up further. Anyway, I came down from the pole, got to my van, and grabbed my ladder. I took off my belt and stood there holding the ladder, half on and half off the van. I didn’t realize I hadn’t clipped my trousers properly. And then, right there, my trousers dropped to my ankles! There was all this traffic going by.

I just dropped the ladder, ran to the side of the van, embarrassed as anything, thinking, "Half the world just saw my trousers fall down." I bet they had a good laugh at that. It was so embarrassing. I put my trousers back on, but the catch was wearing out—it was breaking. I thought, "I’ll just get through the day."

Later that day, I was up another pole, this time in a field. Thankfully, there were no people around—or at least I hoped there weren’t. I got to the top of the pole, got my tools out, and as I stood there on the steps at the top, my trousers went again!

I tried to hold onto the pole and fix them, but I couldn’t. So I thought, "I’ll climb down," but I couldn’t climb down because my legs were stuck together, tangled in the trousers. I was practically tied up! So, I had to kick my trousers off, and they blew across the field. I climbed down the pole and had to run across the field to retrieve my trousers and put them back on.

After that, I went straight home and got myself a pair of braces. I’ve worn them ever since. I don’t ever want that to happen again.

You see, I’m not the wisest person. People think I’m wise, but I wasn’t very wise that day. I got caught once, and then I went and did it again.

Anyway, I thought I’d play a little song that feels quite fitting for this story.

4:25 Blue Moon

Friday, March 14, 2025

March 14: I Miss You – Blink-182 Cover by Frank & Kylaidoscope

  

I miss you

Hello there, the angel from my nightmare
The shadow in the background of the morgue
The unsuspecting victim of darkness in the valley
We can live like Jack and Sally if we want

Where you can always find me
And we'll have halloween on Christmas
And in the night we'll wish this never ends
We'll wish this never ends

I miss you, miss you
I miss you, miss you

Where are you and I'm so sorry
I cannot sleep, I cannot dream tonight
I need somebody and always
This sick, strange darkness
Comes creeping on so haunting everytime

And as I stared I counted the webs from all the spiders
Catching things and eating their insides
Like indecision to call you and hear your voice of treason
Will you come home and stop this pain tonight?
Stop this pain tonight

Don't waste your time on me you're already the voice inside my head
(I miss you, miss you)
Don't waste your time on me you're already the voice inside my head
(I miss you, miss you)

Don't waste your time on me you're already the voice inside my head
(I miss you, miss you)
Don't waste your time on me you're already the voice inside my head
(I miss you, miss you)

Don't waste your time on me you're already the voice inside my head
(I miss you, miss you)
Don't waste your time on me you're already the voice inside my head
(I miss you, miss you)

(I miss you, miss you)
(I miss you, miss you)
(I miss you, miss you)


Kylaidoscope: A Family-Driven Pop-Punk Revival
A Father and Sons Trio Injects New Energy into the Genre

In an era where pop-punk has often been relegated to nostalgia playlists, one family band is proving that the genre is alive, well, and ready for reinvention. Kylaidoscope, a high-energy trio based in the Philippines, is not your average band—they are a dynamic father-and-sons act, blending talent, authenticity, and boundless enthusiasm into a sound that demands attention. Featuring Kyle (15), Aidan (13), and their father Brendan (68), Kylaidoscope is rapidly carving out a space in the modern punk landscape.

Their journey is as unique as their name—a fusion of Kyle and Aidan’s names, signifying their deep-rooted connection and shared musical passion. But beyond the name lies an even richer story of cross-cultural influence, perseverance, and an innate love for punk’s unfiltered energy.

A Family Bond Forged in Music

Kylaidoscope’s roots stretch across continents, with Brendan’s British and Irish heritage blending seamlessly with the Filipino culture of Kyle and Aidan’s mother. Music, however, has been the great unifier in their lives. Brendan, a seasoned rock and blues musician, recognized his sons’ musical inclinations from an early age. While living in France, Kyle and Aidan were introduced to rhythm and melody through music play schools and private lessons, laying the groundwork for their current artistry.

In 2018, the family relocated to the Philippines, and homeschooling under Brendan’s guidance became the norm. Education was not just about textbooks—it was about exploring creativity, and music became a core component of their learning. Inspired by bands like Green Day, Blink-182, and The Clash, the boys immersed themselves in the punk ethos, with Brendan coaching them in guitar and vocals. What started as casual jam sessions soon transformed into something greater—a fully realized band with a distinct sound and style.

The Sound of Kylaidoscope

What sets Kylaidoscope apart is their ability to channel the raw spirit of pop-punk while injecting their own youthful energy and familial chemistry. Their music is fast-paced, infectious, and unapologetically spirited—true to the ethos of the genre. Their repertoire includes both original songs and reimagined covers of punk anthems, delivering performances that resonate with longtime fans of the genre as well as a new generation of listeners.

Beyond just playing music, Kylaidoscope captures the essence of what makes punk rock special—the DIY spirit, the unfiltered emotional expression, and the ability to connect with audiences on a visceral level. Their performances, whether in a studio setting or live, exude an undeniable authenticity that has drawn attention beyond their home base in the Philippines.

Keeping Punk Rock Alive

Kylaidoscope is more than just a band; they are a movement, proving that punk is far from dead. With every cover song, they pay homage to the legends while making each track their own, adding fresh intensity and a family-driven twist. Their growing online presence, particularly on their YouTube channel, has allowed them to share their passion with fans worldwide. Their videos, featuring vibrant covers of punk classics, serve as both a nostalgic trip for older fans and an introduction to a new generation discovering the genre.

As Kylaidoscope continues to evolve, their potential knows no bounds. Their journey is not only a testament to their dedication but also a reminder that music has the power to bridge generations, cultures, and musical eras. With each power chord and rebellious lyric, they reinforce the idea that punk rock isn’t just a genre—it’s a way of life.

Summary

Kylaidoscope is a rare and remarkable act in the modern music scene—a father-and-sons trio reviving the pop-punk sound with youthful energy and deep musical roots. Brendan, a veteran rock and blues musician, has nurtured his sons Kyle and Aidan’s talents from a young age, guiding them into a full-fledged band. Their journey has spanned multiple countries, culminating in their Philippines-based music project that seamlessly fuses raw punk influences with a fresh, family-driven approach.

Inspired by icons like Green Day and Blink-182, Kylaidoscope’s music embodies the high-energy, fast-paced, and emotionally charged spirit of punk. Their ability to merge classic punk sound with modern sensibilities has garnered them a dedicated fanbase, particularly through their vibrant YouTube performances.

What makes Kylaidoscope stand out is their authenticity—their music is not just a revival of old sounds but a reinvention, proving that punk remains relevant and impactful today. Their story underscores the power of family, perseverance, and passion, setting them apart as one of the most compelling emerging acts in the genre. As they continue to grow, Kylaidoscope is poised to make an indelible mark on the modern punk landscape.
###

Franks Fan Comments (March 14):

  1. @deathcabkerouac - What a nice version of this tune. You guys did a great job arranging it for acoustic.
  2. @NormanChester882 - I Love You Frank, I love your songs, I love the way you play your guitar, God bless you very much friend😒
  3. @No_Name_Really - Frank, you and the people you choose to sing and/or play with bring so much comfort in so many lives...❤
  4. @ihsaanrawat2583 - This channel brings a massive smile to my face
  5. @edgardfernandes2184 - GOD BLESS!! FROM BRAZIL, AWESOME!!!!!!!!!!!!!!!!!
  6. @sazzz6 - Love this collaboration well done everyone! Thank you for sharing ❤
  7. @Ralphies_Mom - Frank has the ability to open his chest and show you heart in a very vulnerable way. He is amazing.
  8. @ayrielbranford - I love your new collabs <3 Because it means how many people is getting to know you. Thank you for your music
  9. @lawrence2087 - Morning Frank, this moody piece was just excellent. The feeling of this song really comes through. πŸ‘
  10. @brunowponto - Amazing as always!
  11. @electra424 - Wow. This is one of my all-time favorite songs and this might be one of the best covers of it I've ever heard. Kyle and Aidan really nailed the vocal style perfectly!! Amazing job everyone and especially impressive that this was all done virtually. Keep up the great work! πŸ’œ
  12. @meggo4206 - Hell yeh! The sons are adorable and smashed the blink voice πŸ˜‚πŸŽ‰❤
  13. @NERD-FROM-THE-SOUTH - This was so captivating while showcasing three different generations, all sharing the universal love and passion of music.
  14. @Jessinluv - Absolutely amazing, I love your work, Frank πŸ₯°
  15. @Neverknowwhatimdoing - This is my favorite band! You the man Frank!!!
  16. @belsieblue1982 - I'm... actually speechless at how well done this is. I can't count how many times I've heard this song, original or covers, or how many times I've sung along to it, but this... this is new And that's saying a lot 🩡
  17. @ry8519 - Well done again Frank - you will be with me in my journeys for many more years - cheers Frank.
  18. @lordtachanka903 - Bravo to all involved, especially Frank! Much love, y’all sound amazing!
  19. @teresaoyagaahumada1895 - Sr Frank desde Colombia lo estoy amando... De mis canciones favoritas de Blink!
  20. @iroquoisramirez6084 - Absolutely beautiful cover
  21. @codylchua - God Bless you Frank! I love your style and your covers! ❤
  22. @v00.d00_child - It's a special song to me. Thank you for this cover, sir.
  23. @Andyisnotreal2000 - Beautiful. Mr. Watkinson
  24. @Anarchyinthe603 - I've heard this song so many times I've lost count over the years, but this particular performance brought out so much richness and depth in the lyrics that I'd never really noticed before. Thank you so much for collaborating together on this and sharing it with us! I'm so excited to see all of this creative energy being shared amongst you, Frank, and everyone you've been working with lately - this was a wonderful and unexpected development, completely delightful through and through!
  25. @jenereviensjamais - ❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
  26. @8Bit_Steve - This made me smile tonight, thanks :)
  27. @annkelly2997 - ❤ LOVE IT!!
  28. @danigunnex7007 - Beautiful! Like a hug. ❤️‍πŸ”₯πŸ†❤️‍πŸ”₯ Greetings from Saxony, Germany.
  29. @beef5010 - Another banger, thank you Frank ❤
  30. @TheSquiddler144 - Boy howdy it was a bad idea to watch this at work. Very good shit, but I am crying.
  31. @RobertCarter7512 - Great job Frank Lovett❤❤❤
  32. @edgardfernandes2184 - AMAZING!!!!!!!!!!!!!!!!!
  33. @minkystarlight5441 - Thank you, Frank.❤
  34. @Andy2kk - ❤❤❤❤❤
  35. @marcoseclectico3931 - Long live Frank!!!
  36. @Caffeno - Ahh I love this!❤️‍πŸ”₯
  37. @timeflies313 - Hello Frank. Another great video. If you don't mind, can I ask if you already received your YouTube plaque for reaching 1 million subscribers? Cheers! Keep doing what you do. We are very grateful.
  38. @NOIR33333 - Great singing Frank, could you possibly play Crackling Rosie by Neil Diamond next video? Keep up the great work!
  39. @tomdlc9321 - You sound great! 😎
  40. @Vander_Venom - This is such a beautiful cover Frank. If I may put in a request, I would love to hear And Dream of Sheep by Kate Bush. I think your voice would suit it very well.
  41. @chill_st6123 - Absolutely peak
  42. @carolapinkertgreatawakenin5653 - Can I have a link to this band? Greetings from Germany.
  43. @rileyhodge8796 - NEW FRANK DROP!!
  44. @bisonwillyssuburbangarage4255 - Nice Frank πŸ™
  45. @its80uh - Hades’ Son by 80uh next please, Frank🀌🏽✨
  46. @michaelm4464 - DON'T WASTE YER TYM ON ME YER ALREADY THE VOICE INSIDE MY YED
  47. @carmelomanzanares260 - πŸ”₯πŸ”₯πŸ”₯ All 3 were excellent!!! πŸ”₯πŸ”₯πŸ”₯
  48. @adislavchev - This is literally my Avengers.
  49. @redbloodedamerican2346 - One of my favorite Blink-182 songs. I play it quite a bit myself. You guys do it better.
  50. @coopgatetv4744 - Can you make: Johnny and Mary - Robert Palmer (fingerstyle)? Cheers from Germany ❤
  51. @FamilySibayan - Best thing I've ever heard
  52. @Memorh19 - Nice version by Frank, but I honestly don't like how the guy in blue/black sings...
  53. @TheRamblingsofBry - Mmmmm, not for me.
  54. @AlondraHay - ❤ Thank you for the lovely song!
  55. @vaporwavecorpse7829 - Excellent cover!