Thursday, January 30, 2025

You make me smile, Original song.

 

Frank Watkinson’s Latest Ballad, “You Make Me Smile,” is a Heartfelt Ode to Love and Loss

A Folk Music Veteran Finds Resonance in Simplicity

Frank Watkinson never set out to be a star. The 71-year-old folk musician, who quietly built a devoted following on YouTube, sings with an intimacy that feels less like a performance and more like a conversation with an old friend. His latest song, You Make Me Smile, is a testament to his understated power—an aching, yet tender reflection on memory, love, and the quiet moments that linger long after someone is gone.

Since its release, the song has struck a deep chord with listeners, many of whom have taken to the comments section to share their gratitude and personal stories. “Your music is truly a beautiful gift to the world,” one fan writes. Another confesses, “It’s somehow sad but incredibly beautiful. I cried a little in the end.”

So what is it about Frank Watkinson’s music that resonates so deeply?

The Unlikely Rise of a YouTube Folk Icon

Watkinson’s journey to musical recognition is anything but conventional. Unlike industry-manufactured artists vying for viral hits, he has spent years quietly releasing original songs and covers from the comfort of his home, often accompanied only by his acoustic guitar and the occasional appearance of a sleepy pet in the background.

His songs aren’t polished studio productions, nor do they need to be. Their rawness is part of their charm—an authenticity that makes listeners feel like they’re sitting across from him, hearing a story unfold in real time. His voice, worn with experience but gentle in delivery, carries an emotional weight that rivals even the most seasoned singer-songwriters.

A Closer Look at You Make Me Smile

The lyrics of You Make Me Smile tell the story of a love that still lingers long after goodbye. The opening lines set a reflective tone:

"Picturing you here / I'm pouring out another beer / So many memories to recall."

Immediately, we are placed in a moment of solitude, where the act of reminiscing is both comforting and bittersweet. The song continues to weave through personal recollections—photographs, laughter, shared walks at sunset—painting a vivid picture of a relationship that, despite its absence, still defines the narrator’s sense of joy.

Yet, You Make Me Smile isn’t just a song about loss. It’s about gratitude, too. The refrain—“You make me smile just thinking of you”—turns pain into appreciation. Even in heartbreak, there is warmth. Even in absence, there is presence.

The song’s final verses touch on life’s unanswered questions:

"To this day, I'll never know / Why we had to say goodbye / Maybe it was His plan from the start."

This quiet resignation, neither bitter nor resolved, is what makes Watkinson’s songwriting so powerful. He doesn’t offer easy answers—just honesty.

The Listeners Who Keep Coming Back

Perhaps what’s most remarkable about You Make Me Smile is not just the song itself, but the community it has fostered. Watkinson’s YouTube comments section reads like a collective journal of nostalgia, love, and personal reflection.

One listener, turning 70 soon, remarks, “Your songs make me remember how I felt in my youth. Thank you, Frank.” Another fan from Chile calls the song “filled with emotion and so soothing at the same time.”

Others reflect on how Watkinson’s music has helped them through difficult times. One particularly touching comment reads, “Your music helps really much with my mental health. I’ve been at dark places, and watching your videos and hearing your music really helps.”

There’s something deeply rare about an artist whose songs don’t just entertain, but heal.

A collaboration with New York husband and wife singer/songwriters Break Out The Crazy.

A Timeless Voice in a Changing Musical Landscape

In an age of fleeting digital trends, where algorithms dictate success and virality often trumps artistry, Frank Watkinson’s music stands apart. He doesn’t chase fame, yet he has built something far more meaningful—a devoted audience that finds solace in his songs.

You Make Me Smile is more than just another folk song; it’s a reminder of the profound impact music can have when it’s honest, when it’s personal, when it’s real. And as long as Watkinson keeps picking up his guitar, his listeners will be there, ready to press play and lose themselves in the simple, enduring beauty of his words.


Lyrics You Make Me Smile Picturing you here I'm pouring out another beer So many memories to recall And those old photographs You had the strangest laugh When you held my hand, I felt ten feet tall And you make me smile You make me smile You make me smile just thinking of you And how I miss those walks And those intimate talks In the evenings as the sun was going down The way you held your head And the scruffy clothes you'd wear How everything felt right when you were around And you make me smile You make me smile You make me smile just thinking of you And just the thought of you Would chase away the gray And you were the one that gave me strength To face another day To this day, I'll never know Why we had to say goodbye Maybe it was His plan from the start Is this the way it goes? Nobody really knows But in losing you, I gained a broken heart But you make me smile You still make me smile You make me smile just thinking of you You make me smile just thinking of you

January 30: Hurt cover Johny cash style

 

  1. HurtJan 30, 2019, 3:34, 243K views 
  2. You make me smile, Original song. Jan 30, 2025

Today marks the 6th anniversary of Frank's poignant cover of "Hurt," shared with his international fan base on January 30, 2019. At 71 years old, Frank continues to touch hearts with his soulful interpretations. Here's to many more years of your heartfelt music, Frank!

The 820+ comments on Frank Watkinson's cover of "Hurt" are overwhelmingly positive and appreciative. Several themes emerge:

  • Emotional Impact: Many commenters mention being moved to tears, feeling a deep emotional connection to the performance, and finding it comforting or healing. Words like "beautiful," "amazing," "stunning," and "wonderful" are frequently used.
  • Comparison to Johnny Cash: Several commenters compare Frank's version favorably to Johnny Cash's iconic rendition, some even saying it's better or that Cash would be proud.
  • Appreciation for Frank's Talent: Commenters consistently praise Frank's voice, guitar playing, and overall talent. They admire his ability to convey emotion and connect with the audience.
  • Gratitude and Admiration: Many express gratitude to Frank for sharing his gift and say they are now fans. Some even call him a "treasure" or an "inspiration."
  • Personal Stories: Some commenters share personal stories of how the song or Frank's version has impacted them, including memories of loss and finding solace in the music.
  • Humor and Lightheartedness: A few comments add a touch of humor, like the one asking Frank to be their grandpa, which has garnered many replies. Someone also mentions spotting a dog in the background.
  • International Appreciation: There are comments in multiple languages, showing that Frank's music resonates with people from around the world.

Overall, the comments section is a testament to the power of Frank Watkinson's performance and the emotional connection he creates with his audience. It's a space filled with admiration, gratitude, and shared appreciation for his unique talent. 


Lyrics

I hurt myself today
To see if I still feel
I focus on the pain
The only thing that's real
The needle tears a hole
The old familiar sting
Try to kill it all away
But I remember everything
What have I become?
My sweetest friend
Everyone I know goes away
In the end
And you could have it all
My empire of dirt
I will let you down
I will make you hurt
I wear this crown of thorns
Upon my liar's chair
Full of broken thoughts
I cannot repair
Beneath the stains of time
The feelings disappear
You are someone else
I'm still right here
What have I become?
My sweetest friend
Everyone I know goes away
In the end
And you could have it all
My empire of dirt
I will let you down
I will make you hurt
If I could start again
A million miles away
I would keep myself
I would find a way

Frank Watkinson’s ‘Hurt’ Cover Resonates Deeply: A Testament to Timeless Music and Raw Emotion

An Unlikely YouTube Sensation Captures Global Hearts with a Haunting Rendition of Johnny Cash’s Classic

Introduction:
In January 2019, British musician Frank Watkinson uploaded a stripped-back cover of Johnny Cash’s Hurt to his modest YouTube channel. Nearly five years later, the video has amassed 243,000 views and over 800 comments—a tidal wave of emotion from listeners who call Watkinson’s rendition “breathtaking,” “healing,” and “a gift.” Cash’s 2002 cover of the Nine Inch Nails song is widely regarded as one of the most powerful reinventions in music history. Now, Watkinson’s version is carving its own legacy, proving that great songs only grow richer when passed through vulnerable, human hands.

A Global Chorus of Emotion: Fans Share Their Stories

Watkinson’s cover has become a refuge for listeners navigating grief, loneliness, and existential uncertainty. Many commenters describe weeping openly, moved by the raw simplicity of his voice and acoustic guitar.

  • @lauraserafini322 (1 year ago):
  • “Today I was feeling discouraged with everything that happens in the world and losing faith in humanity. Your music came to me and it was like being hugged.”
  • @sgtknife2852 (4 years ago):
  • “A kid I know committed suicide in high school. The first time I heard this song was played at his funeral… I will never forget moments in life like that.”
  • Others, like @haus05, highlight Watkinson’s authenticity:
  • “This man renews my faith in humans! What a beauty—I just want to sit down and have a cold beer with this man and talk about life!”

“Johnny Cash Would Be Proud”: Bridging Generations Through Song

Cash’s shadow looms large, but fans argue Watkinson honors the Man in Black while making the song his own.

  • @JohnnyPrinz (3 years ago):
    “Johnny Cash is looking down and smiling!! You are an inspiration to pick up my guitar everyday!!”

  • @tgmoose8238 (3 years ago):
    “Johnny would be proud. Bravo.”

Watkinson’s minimalist approach—no flashy production, just earnest delivery—echoes Cash’s late-career vulnerability. @jasminehulsey7956, raised on Cash’s version, admits:
“I usually don’t like covers of songs… but this is awesome.”

The Power of Simplicity: Voice, Guitar, and Vulnerability

Commenters repeatedly praise Watkinson’s “calming” voice and deft guitar work, which strip the song to its emotional core.

  • @annac9529 (4 months ago):
    “Beautiful guitar and voice. Absolutely amazing.”

  • @davidbrenes4719 (3 years ago):
    “The simplicity with which you transmit so much sensitivity is appalling… There is, for me, a before and after I heard Mr. Frank Watkinson.”

Even Trent Reznor fans, like @up2specks978, applaud the delivery:
“Excellent job. Big NIN fan.”

From Mexico to Brazil: A Cover Without Borders

The comments section reads like a United Nations of gratitude, with messages in English, French, Italian, Portuguese, and Spanish.

  • @e3724 (2 years ago):
    “Greeting from Mexico! I love this cover.”

  • @YNG1313 (1 year ago):
    “Aqui é do Brasil!… Você é inspirador, um abraço!” (“This is from Brazil!… You’re inspiring, a hug!”)

Watkinson’s global appeal lies in his universality. As @rephlexc notes:
“It means so much to many. It’s a beauty.”

Legacy in the Making: Watkinson’s Unexpected Rise

At 71, Watkinson has become an unlikely YouTube icon, with fans pleading for albums and dubbing him “grandpa.”

  • @davidfontes3024 (4 years ago):
    “Can you be my grandpa?” (1.7K likes)


  • @wendiled9463 (3 years ago):
    “Are you some sort of divine being sent to soothe us through this moment in time?... Please make an album.”

His covers, spanning Cash, Leonard Cohen, and Nirvana, resonate as antidotes to modern chaos. @justethan2731 writes:
“You’re so talented, Frank—I hope you recognize your gift.”

In-Depth Summary: Why Watkinson’s ‘Hurt’ Matters

Frank Watkinson’s Hurt thrives in the digital age’s paradox: a platform built on speed delivers a slow-burning, analog-style masterpiece. The cover’s success hinges on its refusal to compete with Cash or Reznor. Instead, Watkinson taps into the song’s timeless themes—regret, mortality, redemption—through a lens of quiet humility.

Commenters don’t just praise his technical skill; they thank him. For older listeners, he’s a kindred spirit keeping Cash’s spirit alive. For younger audiences, he’s proof that raw emotion transcends generations. In a world of algorithm-driven virality, Watkinson’s organic rise—fueled by word-of-mouth and tearful emojis—feels like a minor miracle.

As @ashok2018 declares:
“Nobody can ever cover this song better than this person.”

Whether that’s true matters less than the truth beneath the comments: Watkinson’s Hurt isn’t just a cover—it’s a companion for those who need it most.

Tuesday, January 28, 2025

Saturday, January 25, 2025

Wicked game. A Chris Isaak song.

 


Lyrics
The world was on fire and no one could save me but youIt's strange what desire will make foolish people doI never dreamed that I'd meet somebody like youAnd I never dreamed that I'd lose somebody like you
No, I don't wanna fall in love (this world is only gonna break your heart)No, I don't wanna fall in love (this world is only gonna break your heart)With youWith you(This world is only gonna break your heart)
What a wicked game you play, to make me feel this wayWhat a wicked thing to do, to let me dream of youWhat a wicked thing to say, you never felt this wayWhat a wicked thing to do, to make me dream of you
And I don't wanna fall in love (this world is only gonna break your heart)No, I don't wanna fall in love (this world is only gonna break your heart)With you
The world was on fire and no one could save me but youStrange what desire will make foolish people doI never dreamed that I'd love somebody like youAnd I never dreamed that I'd lose somebody like you
No, I don't wanna fall in love (this world is only gonna break your heart)No, I don't wanna fall in love (this world is only gonna break your heart)With you (this world is only gonna break your heart)With you (with you)(This world is only gonna break your heart)
No, I (this world is only gonna break your heart)(This world is only gonna break your heart)
Nobody loves no one

@FrankWatkinson
Comment: January 26, 2025 That was perfection.

Jack and Daisy's "Wicked Games" Cover: A Spellbinding Rendition of a Timeless Classic

The British indie-folk duo breathes new life into Chris Isaak’s haunting ballad, earning international praise and solidifying their place as rising stars.

For Jack and Daisy, the art of reinvention is a signature trait. The British indie-folk duo has steadily built a reputation for their poignant harmonies and soulful interpretations, and their latest cover of Chris Isaak’s Wicked Games is no exception. Released to a wave of enthusiastic acclaim on YouTube, the rendition has captivated listeners across the globe, blending their indie-folk sensibilities with the aching nostalgia of Isaak’s original. Fans are calling it one of the most beautiful renditions of the song they've ever heard, a sentiment echoed by comments from around the world—from Austria to Australia.


Jack and Daisy: Masters of Subtlety and Emotion

When Jack and Daisy released their cover of Wicked Games, they likely anticipated some positive feedback. After all, the duo has spent years honing their craft, performing at venues like The Bedford and Piano Smithfield, and earning accolades at festivals across the UK and Spain. However, the flood of heartfelt praise for this particular performance has elevated their artistry to new heights.

With close harmonies reminiscent of Simon & Garfunkel and a delicate instrumental backdrop, their take on the iconic ballad stands out for its simplicity and intimacy. Jack’s understated yet emotive guitar playing intertwines seamlessly with Daisy’s ethereal vocal tone, creating a rendition that feels timeless and immediate.

“Absolutely beautiful. The best rendition of this song we’ve ever heard,” wrote one fan, echoing the sentiments of many who stumbled upon the video. Another commented, “Your magic grows stronger,” while one listener in Seattle shared, “It provided a perfect end to my day.”


A Global Chorus of Praise

One of the most remarkable aspects of Jack and Daisy’s Wicked Games cover is its international resonance. Fans have left comments in a mosaic of languages—French, German, Spanish, and more—underscoring the universal appeal of their music. “Très belle interprétation!” exclaimed a French listener. “Einfach super,” noted a German fan.

Others have celebrated the duo’s unique ability to infuse their covers with subtle adaptations. “This song's one of my all-time favorites, and I love your subtle adaptations,” one fan wrote, while another remarked on their knack for interpreting classics with respect: “A really nice respectful version.”

The emotional connection Jack and Daisy forge with their audience is undeniable. From heartfelt messages of gratitude—“Thank you for filling my head in the middle of a busy workday”—to fans declaring their newfound love for the duo’s catalog, it’s clear this cover has struck a chord.


The Road Ahead

The release of their debut single, The Love I Know, in late 2024 marked a new chapter for Jack and Daisy. Produced by legendary figures like Chris Kimsey and backed by Dave Stewart’s SongBits project, the duo is poised to transition from beloved indie darlings to household names. If the success of their Wicked Games cover is any indication, they’re well on their way to achieving that milestone.

As they gear up for a busy 2025, fans are already clamoring for more. Requests for covers of songs by Cowboy Junkies and other iconic acts fill the comments, a testament to the duo’s versatility and appeal. And while their subscribers may still be climbing, the trajectory is clear: Jack and Daisy are rising stars in the indie music scene, and the world is taking notice.


Summary

Jack and Daisy’s cover of Wicked Games is more than just a reinterpretation; it’s a masterclass in balancing reverence for the original with the duo’s own unique artistry. Their ability to distill the emotional core of a song and present it with raw simplicity has garnered praise from fans and industry professionals alike.

The performance is a showcase of their strengths: close harmonies, evocative instrumentation, and an innate sense of musical storytelling. Fans across the globe have responded with unbridled enthusiasm, leaving comments that reflect the universal appeal of their music.

This moment of viral recognition couldn’t come at a better time for the duo, who are navigating the exciting transition from live gig stalwarts to recording artists. With their debut single already making waves and industry heavyweights in their corner, Jack and Daisy are poised to redefine modern folk-indie music. Their Wicked Games cover serves as a poignant reminder of their talent and potential, a milestone on what promises to be a remarkable journey.

Wicked Games Published January 24, 2025

  • February 12        79,535 (views)        310 (Comments)
  • February 13        113, 119                  323
  • February 14        150,563                   341
  • February 15        172,353                   350
  • February 16        188,250                   361
  • February 17        201,081                   370
296,615 views, 337 comments (#2 Most Popular)

###

Interviews On YouTube

In a sun-drenched pocket of Spain’s Costa Blanca, Jack and Daisy have been quietly crafting their unique sound. The duo’s story is one of serendipity, evolution, and passion for music—born from Daisy’s lifelong musicality and Jack’s unexpected pivot from architecture. Their journey, chronicled in a heartfelt interview by DJJ King, offers a glimpse into their lives, their music, and their burgeoning international acclaim. 

DeepSeek Article From BayRadio Interview Transcript

Jack & Daisy: The Indie Duo Redefining Folk with a Modern Twist

From Bedroom Recordings to Rolling Stones Producers, the British Duo is Making Waves

Introduction:
In the ever-evolving landscape of indie folk music, few acts manage to capture the essence of both tradition and innovation. Jack & Daisy, a British singer-songwriter duo, are doing just that. With their close harmonies reminiscent of Simon & Garfunkel and a sound that blends folk roots with contemporary indie flair, the duo has been steadily building a name for themselves since they started gigging together in 2018. Now, with the release of their debut single, "The Love I Know," and the backing of industry legends like Dave Stewart and Chris Kimsey, Jack & Daisy are poised to take the music world by storm.

The Journey So Far: From Acoustic Gigs to Festival Stages

Jack & Daisy’s journey began in 2018, performing at small acoustic gigs and gradually working their way up to larger venues and festivals across the UK and Spain. Their performances at iconic locations like The Bedford and Piano Smithfield have earned them a loyal following, while their ability to connect with audiences through heartfelt lyrics and intricate harmonies has drawn comparisons to folk legends.

In a recent interview with BayRadio’s Kal Reynolds, the duo reflected on their summer of gigs, which included shows in London and Manchester. "It's great doing these shows in London because we play all of our own music," Daisy shared. "It's very exciting, but also very scary." The response, however, has been overwhelmingly positive, with the duo meeting fellow artists and fans who have become integral to their growing community.

A New Model for Music: Signing with Dave Stewart’s SongBits

One of the most exciting developments in Jack & Daisy’s career is their partnership with Dave Stewart of Eurythmics fame. Stewart’s new venture, SongBits, offers a revolutionary approach to music funding. Instead of relying on traditional record labels, artists can crowdfund their music by allowing fans to purchase "bits" of their songs. These bits entitle fans to a share of streaming royalties, creating a unique connection between artists and their supporters.

"It's a really cool concept," Jack explained. "Instead of going through major record labels, which can be quite iffy, this is a way for artists to earn money off their songs in a crowdfunding sort of way." The duo’s debut single, "The Love I Know," is one of the first tracks to be released under this model, and the response has been overwhelmingly positive.

The Rolling Stones Connection: Working with Chris Kimsey

Adding to their impressive roster of collaborators, Jack & Daisy have also teamed up with Chris Kimsey, the legendary producer behind some of the Rolling Stones’ most iconic albums. Kimsey mixed "The Love I Know," bringing his decades of experience to the duo’s sound.

The connection with Kimsey is particularly special for Daisy, who grew up near Olympic Studios in Barnes, London, where Kimsey worked. "It’s quite a funny thing when he got involved via our manager," she said. "We’ve kind of known of him since I was a little girl, so it’s like coming full circle."

Kimsey’s involvement has been a game-changer for the duo, with Jack describing the experience as "chuffed." "Chris Kimsey said that my tracks were good," Jack shared, still visibly proud of the compliment.

Songwriting: From Inspiration to Creation

When it comes to songwriting, Jack & Daisy have a knack for turning personal experiences and literary inspirations into poignant melodies. "Some of the best songs we’ve written took about 20 minutes," Daisy revealed. "The Love I Know," for instance, was written in a single day. "It just came to me," Jack said, highlighting the unpredictable nature of creativity.

The duo’s approach to songwriting is deeply personal yet universal, drawing from life experiences, books, and even titles that catch their attention. "I find it so much easier to write about other people or something I’ve read in a book," Daisy admitted. This ability to weave stories into their music has become a hallmark of their sound.

Balancing Two Worlds: Spain and the UK

With their careers gaining momentum, Jack & Daisy are navigating the challenges of balancing their lives in Spain with their growing presence in the UK. "If we book shows in the UK, we fly over for them," Daisy explained. The duo often couch-surfs to keep costs down, playing multiple shows in a short span before returning to Spain.

Their dedication to their craft is evident in their relentless touring schedule, which has included flying back to the UK for a single gig before returning to Spain the next day. "It’s rather rock and roll," Jack joked, though the reality is a testament to their commitment to their music.

The Future: Studio Time and New Horizons

Looking ahead, Jack & Daisy are eager to expand their studio capabilities. While much of their recording is still done in Jack’s bedroom, they’ve had opportunities to work in professional studios, including a session with Marshall Records. "We just couldn’t fit it into our schedule," Daisy said, but the duo remains hopeful for more studio time in the future.

Jack, a self-proclaimed gear enthusiast, is particularly excited about the prospect of upgrading their recording equipment. "At the moment, we have two very basic microphones," he said, before launching into a detailed explanation of the ribbon microphone he’s been eyeing. "It’s all about getting that warmth in the sound."


In-Depth Article Summary:


Jack & Daisy, the British indie folk duo, are carving out a unique space in the music industry with their blend of traditional folk and contemporary indie sounds. Since their formation in 2018, they’ve performed at venues and festivals across the UK and Spain, earning praise for their close harmonies and heartfelt songwriting. Their debut single, "The Love I Know," marks a significant milestone in their career, backed by industry heavyweights like Dave Stewart and Chris Kimsey.


Stewart’s innovative SongBits platform allows fans to invest in the duo’s music, creating a new model for artist-fan collaboration. Meanwhile, Kimsey’s production expertise has elevated their sound, bringing a level of polish and professionalism to their recordings. Despite their growing success, Jack & Daisy remain grounded, balancing their lives in Spain with their burgeoning career in the UK.


Their songwriting process, often inspired by personal experiences and literary themes, has produced some of their most memorable tracks in a matter of minutes. As they look to the future, the duo is focused on expanding their studio capabilities and continuing to connect with audiences through their music. With their unique sound, innovative approach, and unwavering dedication, Jack & Daisy are poised to become a defining act in the indie folk scene.


Final Thoughts:
Jack & Daisy’s story is one of passion, perseverance, and innovation. As they continue to push boundaries and redefine what it means to be indie artists in the modern era, their music serves as a testament to the power of authenticity and creativity. Keep an eye on this duo—they’re just getting started.

Claude.ai Article From BayRadio Interview Transcript

From Bedroom Studios to Dave Stewart's Roster: The Rising Journey of Jack and Daisy
British Folk Duo Catches Industry Veterans' Attention with Authentic Sound and Innovative Release Strategy

In an era where indie artists often struggle to find their footing in the music industry, British folk duo Jack and Daisy are crafting their own path to success, backed by some of music's most legendary figures. The pair, who have been performing together since 2018, are now poised to release their debut single "The Love I Know" through an innovative platform created by Eurythmics' Dave Stewart. (BayRadio Interview)

A Natural Evolution

Having built their reputation through intimate acoustic performances and festival appearances across the UK and Spain, Jack and Daisy have maintained a careful, organic approach to their career development. "It's a very long and slow ride, but it's consistently interesting," reflects one half of the duo. "We're at the point where we're ready for all of this stuff to be happening, so it's quite nice and exciting without being too overwhelming."

Industry Veterans Take Notice

The duo's authentic approach has attracted impressive industry support, most notably from Eurythmics' Dave Stewart, who signed them to his innovative new platform, SongBits. The project allows fans to purchase ownership stakes in songs, earning streaming royalties alongside the artists. "Instead of going through major record labels, it's basically a way for artists to earn money off their songs in a crowdfunding sort of way," they explain.

Rolling Stones Connection

Adding to their impressive roster of collaborators, the pair's debut single has been mixed by legendary Rolling Stones producer Chris Kimsey at Olympic Studios in London. In a serendipitous twist, one of the duo members grew up knowing Kimsey's children in Barnes, London, creating a full-circle moment in their musical journey.

Bedroom Productions Meet Professional Polish

Despite their high-profile connections, Jack and Daisy maintain their grassroots approach to recording, primarily working from a bedroom studio. "Everything we record is done in my bedroom," Jack shares, though this hasn't deterred industry veterans from recognizing their potential. Kimsey's response to their home recordings was overwhelmingly positive, requiring only minimal adjustments despite the occasional background noise of "mom closing the kitchen drawer."

Looking Ahead

As they balance performances between Spain and the UK, Jack and Daisy continue to evolve their sound while maintaining their authentic approach to songwriting. "Some of the best songs we've written took about 20 minutes to write," they note, highlighting the often unpredictable nature of creative success.


Article Summary: This piece chronicles the emergence of British folk duo Jack and Daisy as they navigate their transition from local performers to professionally backed recording artists. Their story exemplifies a modern approach to music industry success, combining traditional elements (support from veteran producers and industry figures) with innovative digital age solutions (Stewart's SongBits platform). 

The article highlights how their authentic approach to music-making, from bedroom recordings to thoughtful songwriting, has attracted industry veterans while maintaining their artistic integrity. Their collaboration with Dave Stewart and Chris Kimsey marks a significant milestone in their career, while their continued grassroots approach to recording and performing demonstrates their commitment to organic growth in an increasingly digital music landscape.


January 25: Above the clouds of Pompeii Bears den cover

 

  1. Above the Clouds of Pompeii (Bears Den cover), Jan 25, 2020, 3:26, 4.3K views
  2. I'm still standing....Elton John cover., Jan 25, 2025, 5:12

Thursday, January 23, 2025

January 24: Two out of three ain't bad. cover .

 

  1. Two out of three ain't bad (cover), Jan 24, 2022, 6:05, 6.2K views

January 23: Last kiss Pearl jam cover

 

  1. Last Kiss, Jan 23, 2019, 3:08, 6.4K views
  2. Wonderland dreamin' version 2, Jan. 23, 2023, 3:46, 2.2K views
  3. End of times, Jan. 23, 2024 4:31, 22K views
Wyne Cochran is the original singer of the song "Last Kiss". He recorded the song in 1961 for the Gala label. 
Explanation
  • Cochran wrote the song after his sister died in a car accident. 
  • He based the song on the idea of his sister's last kiss, which she gave to her partner before the accident. 
  • Cochran recorded the song with Joe Carpenter on guitar, Bobby Rakestraw on bass, and Jerry Reppert on drums. 
  • The song was covered by many artists, including J. Frank Wilson and the Cavaliers, Canada's Wednesday, and Pearl Jam. 

 
 2007 Pearl Jam - Video from High School Project

Lyrics
Well, where oh where can my baby be?
The Lord took her away from me.
She's gone to heaven, so I got to be good,
So I can see my baby when I leave this world.

We were out on a date in my daddy's car.
We hadn't driven very far.
There in the road, straight ahead ...
The car was stalled, the engine was dead.

I couldn't stop, so I swerved to the right.
Never forget the sound that night ...
The cryin' tires, the bustin' glass.
The painful scream that I heard last.

Well, where oh where can my baby be?
The Lord took her away from me.
She's gone to heaven, so I got to be good,
So I can see my baby when I leave this world.

Well, when I woke up, the rain was pourin' down.
There were people standing all around.
Something warm running in my eyes,
But I found my baby somehow that night.

I raised her head, and when she smiled, and said,
"Hold me darling for a little while."
I held her close. I kissed her our last kiss.
I found the love that I knew I would miss.

But now she's gone, even though I hold her tight.
I lost my love ... my life, that night.

Well, where oh where can my baby be?
The Lord took her away from me.
She's gone to heaven, so I got to be good,
So I can see my baby when I leave this world
 
Post Malone - Last Kiss (Acoustic – One Night in Rome, Italy 2022)
Frank's Fans Comments Clips
  1. @martin.k1158, Thanks grandpa nice love you, 2019
  2. @chkopper, The best version I have ever listened. Congratulations from Brasil. 🇧🇷🇧🇷🇧🇷, 2020
  3. @redwolf8532, I was looking for a cover for this song and...this is the best 1, because he plays it slow with pure love and emotion. I want this song to listen to because...my baby left this world...and she called me her hubby and she will be waiting for me, 2021
  4. @BDogGrizzly, This song brings me to tears every single time. Just like in the song, the same thing happened to me and my girlfriend. We were driving down a two-lane highway when I saw the dead car on the road as we came over the hill. I swerved to the right, crashed into a tree, and she was impaled in 3 spots. I was only scratched and bruised. She died that night. Hannah Howerter 08/08/2003. 😭, 2021
  5. @lorryp8701, Absolutely beautiful ❤️, 2021
  6. @nefand08, Buen trabajo, usted es grandioso, 2020
  7. @PEARLDADI, There is so much feeling in this performance of yours. I would give all the likes ever to this performance. Why does this video have so few views??? I do not understand, 2021
  8. @thomasbabcock5174, Another classic by J Frank Wilson, I believe 1967 or 68 but covered by Pearl Jam. You are wonderful, Frank. Keep us smiling 😊😁😀 Much Love from OHIO ❤, 2020
  9. @fernandadiaz4369, Beautiful cover :), 2022
  10. @jeanettekorzenko4958, I love this song!, 2021
  11. @qqquasar, Amazing, indeed. I have one question, though, where were you all this time, 2020
  12. @davidkitzmiller2176, Beautiful song, great job man!, 2021
  13. @cristianovedder3421, Good Job! Nice version!!! Congratulation!!!, 2020
  14. @prishapriyadarshi2322, I LOVE THIS SO MUCH, 2021
  15. @grungettaglum, Oh my goodness, so nice, 2020
  16. @craigwreckless, That was great! New friend here. Happy Holidays🎸🤓🌲, 2019
  17. @1WonkyDonkey, Wow. That was really, really good. Thank you for that, 2019
  18. @owenslubo9243, This is amazing!!!!!, 2020
  19. @hiromi_cule, Just discovered your beautiful videos. My dad is also a musician; you remind me so much of him. I'm really thankful. Hope you make a Jeff Buckley cover sometime, muchas felicidades :), 2021
  20. @SidFercho, Genial......😭😭😭😭, 2020
  21. @firmanjulianto3463, Clean by you, 2022
  22. @VapingBee, Fun little bit of music history for you... This is not an original Pearl Jam song. I remember being in the car with my mom, when I was in middle school, and hearing Pearl Jam's version of this song on the radio (I LOVED Pearl Jam at the time). My mom started singing along, and I said, "How on earth do you know this song?!" I think of that every time I hear this song now. Lovely cover. Thank you!, 2020
  23. @melianeldar4764, 😍😍😍😍, 2019
  24. @umcaraaleatorio3029, Very good, 2020
  25. @Ada_tak_wypada, Miło posłuchać :), 2019
  26. @HRoss22, Hello. New listener - first-time commenter. I noticed a few of your songs/covers are sad or traditional "depression" music. Everyone needs a good somber tune every once in a while. Do you like to read? There's a book I like about depressing music, popular culture, and why people are drawn to it. If you're a reader you might be interested in it. The book is "I Hate Myself and Want to Die: The 52 Most Depressing Songs You've Ever Heard" by Tom Reynolds. Published 2005. It covers songs from different eras and genres. It's a good one, 2020
  27. @Jojobizzare80, Wayne Cochran was underrated as a songwriter, 2021
  28. @IvanSDizon460, Nice Frank, 2019